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POPSPrestoBingo! Spur Design Launches Art for Kids Having scrupulously researched the market by having three kids of their own, Joyce Hesselberth and Dave Plunkert of Spur Design have launched PrestoBingo, a collection of limited edition prints designed to engage and delight those fertile little minds.
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POPSJill Calder: New Yorker Mini Takeover Jill Calder’s whimsical artwork takes over the April 16, 2007 issue of the New Yorker magazine with a narrative series of ads for Mass Mutual Financial Group. The New Yorker selected about 40 illustrators for Mass Mutual and their ad agency, Mullen, to choose from, which eventually whittled down to Jill; her job was to bring their concept to life.
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POPSGarry Parsons illustration UK freelance illustrator Garry Parsons collects lots of things which eventually turn into his inspiration, such as illustrated books, images cut from newspapers and magazines, Japanese cartoon characters, toys, food packets, sweet wrappers, carrier bags and the list goes on… Parsons studied Fine Art in Canterbury and went back to college in 1996 to study for a Masters in Design/Illustration. The first picture book Garry illustrated was nominated for the Red House Children’s Book Awards 2004 and for the Stockport Children’s book awards. His editorial work appears regularly in newspapers and magazines in Britain and the USA. Recent clients have included; Proctor & Gamble, Golf Digest USA, Saatchi & Saatchi, The Times, Marie Claire, RCN Publishing, The Guardian and The Independent.
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POPSMelvyn Evans illustration London illustrator Melvyn Evans finds inspiration in such diverse sources as trees, shells and 1960's poster design. In 2003 he was a finalist in the London Transport competition, his artwork being used for press and invitations. More recently he created 23 magazine covers in a 3D digital style, for The Institute of Electrical Technicians. Melvyn Evans studied illustration at Exeter College of Art and Design. Evans' vibrant graphics have graced the pages of Elle, Vogue, Dorling Kindersley, Scholastic, and Random House. His advertising commissions include work for Rover, Waitrose, Sainsbury, Tesco, Marks and Spencer, Bodyshop and Halifax Building Society.
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POPSNila Aye illustration How can you not love Nila Aye’s art? Sparkling colors, perky, upbeat, delightful! Aye was born in Rangoon, Burma in 1972. Her family then moved to England in 1975. In 1992 she worked for 3 months in Vogue’s art department. Following this she studied Graphic Design at Central St Martins, specializing in illustration. A few of her clients include: Beau Monde Cards, Marks and Spencers, Paperchase, British Vogue, Tatler, Time Out, Telegraph Magazine, Harrods, Yorkshire Water, BBC, National Citer, Lucozade, Jacadi, Random House and Vigo cards amongst many others. She also illustrates a weekly column in You Magazine.
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POPSAnne Lukas illustration Anne Lukas, three dimensional cartoonist, inhabits a wildly creative and weirdly funny world. She uses a combination of materials and skills including digital photography and polymer clay to develop her wacky creature illustrations. Her unique style has developed as a result of experimenting in many mediums. Anne began her career as graphic designer working both in-house and freelance. She’s a member of the Society of Children's Book Writers and Illustrators and the Washington DC Illustrator's Club.
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POPSGary Kempston illustration Gary Kempston’s saavy illustration work explores line and form. The London based artist experiments with the texture of the picture’s surface within his pieces, and also employs asymmetric composition and color contrasts. His work’s been highlighted in the Big Book of Illustration Ideas. Clients include BBC, the Guardian, Marketing Week, Future Publishing, Granada Learning, The Telegraph, Readers Digest, and Mediamark.
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POPSAnne Smith illustration London illustrator & designer Anne Smith crafts a sophisticated, richly colored, idiosyncratic, lovingly detailed, graphic gouache style- often incorporating painted type. Her work can be found in the collections of Museum of Fine Arts, Boston, Smithsonian Institution, Washington D.C., Int’l Museum of Ceramic Art, Alfred N.Y., KPMG London, Boston Public Library, General Electric Co., Fidelity Investments, Boston, and het Museum voor Hedendaagse Kunst, the Netherlands. She’s been honored in Communication Arts, AR100’s “Best Illustrated Annual Reports,” and received fellowships from National Endowment for the Arts and the Massachusetts Artist Fellowship.
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POPSAnne Smith illustration London illustrator & designer Anne Smith crafts a sophisticated, richly colored, idiosyncratic, lovingly detailed, graphic gouache style- often incorporating painted type. Her work can be found in the collections of Museum of Fine Arts, Boston, Smithsonian Institution, Washington D.C., Int’l Museum of Ceramic Art, Alfred N.Y., KPMG London, Boston Public Library, General Electric Co., Fidelity Investments, Boston, and het Museum voor Hedendaagse Kunst, the Netherlands. She’s been honored in Communication Arts, AR100’s “Best Illustrated Annual Reports,” and received fellowships from National Endowment for the Arts and the Massachusetts Artist Fellowship.
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POPSChris Lane illustration Chris Lane’s inks and watercolors successfully achieve whimsical satire as well as grim scenes of despair, all the while maintaining an engaging, quirky quality. He drinks a lot of coffee, eats a lot of pancakes, and is an outspoken penguin enthusiast. Chris is currently gearing up from world wide domination and would like to make it clear that all who oppose him will be crushed. Lane graduated in 2005 from the California College of Arts and Crafts with a BFA in illustration. He has shown work in such bay area collectives as the Nexus Gallery, RPS Collective, LoBot Gallery, and Ego Park. He’s worked for such clients as The Seattle Metropolitan , The Pasadena Weekly , Kitchen Sink Magazine , The Philidelphia Enquirer , Nexus Gallery , Mamma Buzz Gallery , LoBot Gallery , Rock Paper Scissors , ABCo Gallery.
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POPSChris Lane illustration Chris Lane’s inks and watercolors successfully achieve whimsical satire as well as grim scenes of despair, all the while maintaining an engaging, quirky quality. He drinks a lot of coffee, eats a lot of pancakes, and is an outspoken penguin enthusiast. Chris is currently gearing up from world wide domination and would like to make it clear that all who oppose him will be crushed. Lane graduated in 2005 from the California College of Arts and Crafts with a BFA in illustration. He has shown work in such bay area collectives as the Nexus Gallery, RPS Collective, LoBot Gallery, and Ego Park. He’s worked for such clients as The Seattle Metropolitan , The Pasadena Weekly , Kitchen Sink Magazine , The Philidelphia Enquirer , Nexus Gallery , Mamma Buzz Gallery , LoBot Gallery , Rock Paper Scissors , ABCo Gallery.
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POPSDoug Bowles illustration “To be successful as an illustrator today,” says Doug Bowles, “you have to make work that can't be produced any other way.” Bowles graduated from the Columbus College of Art and Design in 1983, and since then has created images for several different clients for a variety of uses: books, postcards, posters, packages, in-store displays. Bowles' mixed-media paint and pastel images appear on everything from packages for Symantec's Internet Fast Find software to the Missouri Lottery's Lucky Dog scratch-off tickets. His book work includes the cover for ‘Bondage,’ a novel by Ronald Reagan's daughter Patti Davis, and ‘The Slightly Scary Halloween Flap Book,’ a children's book. Bowles won the Kansas Reading Association 2006-2007 Bill Martin, Jr. Picture Book Award for his ‘S is for Sunflower’ childrens book.
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POPSDoug Bowles illustration “To be successful as an illustrator today,” says Doug Bowles, “you have to make work that can't be produced any other way.” Bowles graduated from the Columbus College of Art and Design in 1983, and since then has created images for several different clients for a variety of uses: books, postcards, posters, packages, in-store displays. Bowles' mixed-media paint and pastel images appear on everything from packages for Symantec's Internet Fast Find software to the Missouri Lottery's Lucky Dog scratch-off tickets. His book work includes the cover for ‘Bondage,’ a novel by Ronald Reagan's daughter Patti Davis, and ‘The Slightly Scary Halloween Flap Book,’ a children's book. Bowles won the Kansas Reading Association 2006-2007 Bill Martin, Jr. Picture Book Award for his ‘S is for Sunflower’ childrens book.
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POPSIllustrator Dave Wheeler If something is missing around Dave Wheeler’s house, it has probably been incorporated into a piece of art. In addition to pursuing assignment work, Dave is developing original art and products soon to be available at www.davewheeler.com . Dave is a graduate of the School of Visual Arts, New York City. Prior to attending SVA he received an associates degree in Graphic Design/Illustration from Ricks College (now BYU Idaho). Awards and recognition include: Creative Jolt, CASE Competition (Gold Award), Communication Arts Illustration Annual, Hearst Award (first Place), Print Regional Design Annual, Society for News Design (Gold Award, Award of Excellence), Society of Illustrators 3D Salon.
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POPSGerm of a New Insanity In addition to a vibrant career that includes commissions from clients such as The New Yorker, Ralph Lauren and Continental Airlines, artist Jacob Thomas pursues his own personal vision via the graphic novel. Click through to see how he’s developed the cover of his latest collaboration, “Germ of a New Insanity”.
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POPSIllustrator David Pohl David Pohl is a guru, a DJ, an illustrator, a performance artist, an installation artist, a gardener and oh, yeah, a drummer! "I attempt to illustrate the idea of life as a divine process through which one can discover union with the Timeless. The Hindu concept of Puja (devotional reverence to God or Spirit) is referred to in these pieces, as they serve as a means of making connection between Individual and Universal Consciousness." David’s work has been recognized by Communication Arts, The Society of Illustrators, Anerican Illustration, Print, Graphis and How magazines.
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POPSJon Reinfurt illustration Jon Reinfurt was created in 1980 by a team of German engineers attempting to build the world’s largest robot. When the team unveiled their prototype to the scientific community they were met with harsh criticism and were ridiculed for creating a towering monstrosity that obviously could not function. Unfortunately for everyone, Jon was fuly operational, and the engineers had made a slight oversight by including lasers and “The Will to Dominate” into their design. This worked out well for Jon, who is currently invading the commercial illustration market and leaving only destruction in his wake.
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POPSRepainting the Revolution Sibley/Peteet Design asked Mark Hess to bring to life a campaign featuring American Revolutionary War leaders as exemplars of high ideals. The idea was to present heroic historical quotes, coupled with traditional portraiture, to convey the strengths and purpose of their client, the 401K Company, a financial services firm. Follow the link and see how Mark offers insight into how the job was ultimately done… and originally won.
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POPSMatt Mignanelli illustration New York based Matt Mignanelli works in acrylic on panel to portray humorous characters within everyday situations. “I like to, in a lot of work, leave it open to the viewer to let the imagination run,” says Mignanelli. “With subtle but prominent overtones. I think it would take away from the piece if everything is showing. It allows people to relate to the piece and project themselves onto it, what they want to see in the piece.” Clients include Camel Cigarettes, Easy Jet Airlines, Richmond Guide, Honolulu Magazine, Real Detroit Weekly, The Inlander, Rochester Insider, Sojourners Magazine, CSO Magazine, The Dubliner (Ireland), Disability Now (U.K.). He graduated with a BFA from the Rhode Island School of Design.
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POPSDavid Mclimans wins a 2007 Caldecott Honor “Gone Wild: An Endangered Animal Alphabet,” a black-and-white alphabet book, melds animals and letters into 26 unique and elegant graphic images. It’s sophisticated enough to captivate readers of any age. Each page includes a small, stylized red-and-white image of the animal plus information about its class, habitat, range, and threats to its survival. The book also contains a list of websites of organizations that help endangered animals, plus books for further reading. This visual tour of the earth's most vulnerable creatures will appeal to younger children learning their letters, older children looking to learn about endangered animals, and adults looking for a beautifully illustrated collectible book.