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But what about the novel? Can a collective create a believable fictional voice? How does a plot find any sort of coherent trajectory when different people have a different idea about how a story should end – or even begin? And, perhaps most importantly, can writers really leave their egos at the door? Typically, a writer will acknowledge in print the efforts of their book’s editor, copy editor and agent, since they each will have read the work in draft form. But such acknowledgments regularly include a disclaimer along these lines : “Any errors that remain are, of course, my own”. So the majority of published writers depend on collaboration, but only up to a point. After all, there is usually a single name on the jacket of a novel.
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