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POPSIs Photography dead? "Photography is finally escaping any dependence on what is in front of a lens, but it comes at the price of its special claim on a viewer's attention as "evidence" rooted in reality. As gallery material, photographs are now essentially no different from paintings concocted entirely from an artist's imagination, except that they lack painting's manual touch and surface variation. As the great modern photographer Lisette Model once said, "Photography is the easiest art, which perhaps makes it the hardest." She had no idea how easy exotic effects would get, and just how hard that would make it to capture beauty and truth in the same photograph. The next great photographers—if there are to be any—will have to find a way to reclaim photography's special link to reality. And they'll have to do it in a brand-new way."
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POPSPhotos from a Khmer torture house "Mr. Nhem En’s career in the Khmer Rouge began in 1970 at age 9 when he was recruited as a village boy to be a drummer in a touring revolutionary band. When he was 16, he said, he was sent to China for a seven-month course in photography." "Hundreds of them hang in rows on the walls of Tuol Sleng, which is now a museum, their fixed stares tempting a visitor to search for meaning here on the cusp of death. In fact, they are staring at Mr. Nhem En. The job was a daily grind, he said: up at 6:30 a.m., a quick communal meal of bread or rice and something sweet, and at his post by 7 a.m. to wait for prisoners to arrive. His telephone would ring to announce them: sometimes one, sometimes a group, sometimes truckloads of them, he said. "
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