Kore7

Real Name:n/a
Location:Boston
Joined:11-19-2005
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About me
In real life, my name is Jason. My interests range over math, science, politics, international affairs, language, history, philosophy, writing, and music. I've been a software engineer, a teacher, a filmmaker, a DJ, and a bike messenger, amongst other things. I'm addicted to reading and writing, an affliction Clipmarks has only encouraged.
Why I use Clipmarks
Clipmarks shines helpful spotlights on the growing confusion and proliferation of the web, highlighting and preserving the bits that matter in our quest to manage increasing information overload. The social interaction built into the site acts like a collaborative lens, focusing and reflecting these highlights in meaningful but unforeseen ways -- a process that encourages exploration and helps expand our own individual spotlights of understanding in fruitful, interesting directions.
Where to find me on the web
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15
POPS
Detecting Photographic Forgeries
Kore7
by Kore7  3-17-2007   
 Automatically detecting manipulated photographs is becoming more and more necessary in today's newsroom. "The eyes are a partial mirror into the world in which you're photographed," Farid says. If there are two white dots in each eye, there had to have been two separate light sources. So, if a photo shows two dots in one person's eyes and only one dot in another person's eyes, it must have been spliced together from two different originals.
5
POPS
We're all watching Fox News now
Kore7
by Kore7  10-7-2006    1
  It's still possible to divide the news calendar into BF and AF—Before Fox and After Fox. Much of what you see on TV news exists because of Fox, and not just the opinion shows. The graphics, the sound effects, the general tone of news is set by Fox. The zipper—the visual signature of the anxious too-much-information era—was first introduced by Fox on the morning of 9/11. First by moments, but in TV news, moments are everything. As with so many things, Fox was slightly quicker than its rivals to detect, and direct, the next crank of the dial in our cultural volume level.
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