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POPSThe A-B-C-D-E of Travel Photography At first glance, the picture above depicts a nun walking. But as you look at more details within the picture, you get a full sense of where she is. She isn’t carrying a bag or other personal effects which suggests she is someplace familiar. The direction and length of her shadow suggests mid to late afternoon, and the Slavic-type text on the walls suggests somewhere in Central or Eastern Europe. So the picture transports you to a monastery or nunnery in Eastern Europe around late afternoon. __________________________________ Ever glanced in exasperation at travel photographs wondering why yours taken of the same landscapes or subjects never turn out as stunning? Great travel photographs share a few similarities even though their subjects may be as different as a sweeping landscape or a brooding portrait. Above are a few primer concepts that will guarantee better travel shots from even a simple point-and-shoot camera.
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POPSYou Bet Your Tintype, Buckaroo Mr. Kendrick belongs to a growing group of commercial and art photographers who have retreated in recent years from the ease and exactitude of the digital age and taken up the difficult, ethereal techniques of early photography, including the ambrotype (in which a unique image is created on a glass plate), daguerreotype (on polished silver) and tintype (usually on tin-plated iron ). The pictures — made by exposing and developing the metal plates after they have been coated with a light-sensitive solution of silver nitrate — are a kind of ideal meeting of subject and style. Mr. Kendrick, like most cowboys, is much happier when doing things the hard way.“Making these kinds of pictures, you don’t need the mental skills that you have to have a Ph.D. for,” he said. “It’s more like learning to be a carpenter. It’s work and it’s satisfying. What you get is unique, not mass-produced. You can’t repeat the process. So it’s the antithesis of digital.”