<div style="margin: 12px 0px; font-family: arial; color: #333333; background: #ffffff; border: solid 4px #e5e5e5; width: 100%; clear: left;"><div class="CM_CTB_Content_Wrap" style="margin: 0px; padding: 0px;background-color: #ffffff;"><div style="border-bottom: solid 1px #dcdcdc; white-space: nowrap; margin-bottom: 8px; background-color: #eeeeee ;background-image: url(http://clipmarks.com/images/source-bg.gif); background-repeat: repeat-x; height: 24px; line-height: 24px; vertical-align: middle; padding-bottom: 4px; color: #666666; font-size: 10px;" ><a href="http://clipmarks.com/clip-to-blog/" title="see clips that are hot right now"><img src="http://content.clipmarks.com/blog_embed/21bf9cd1-889a-47f9-8da3-fbc9277ea12f/F74CE489-8AD7-4E19-A2ED-ECF81E2E91EF/" alt="" width="19" height="19" border="0" style="vertical-align: middle; margin: 0px 4px; display: inline; border: none; float:none;" /></a>clipped from <a title="http://www.nytimes.com/2009/07/27/arts/design/27rockefeller.html?_r=1&th=&adxnnl=1&emc=th&adxnnlx=1248699861-vSb52xcTGrP3DVT4Qtgo1A#" href="http://www.nytimes.com/2009/07/27/arts/design/27rockefeller.html?_r=1&th=&adxnnl=1&emc=th&adxnnlx=1248699861-vSb52xcTGrP3DVT4Qtgo1A#" style="font-size: 11px;">www.nytimes.com</a></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/07/27/arts/design/27rockefeller.html?_r=1&th=&adxnnl=1&emc=th&adxnnlx=1248699861-vSb52xcTGrP3DVT4Qtgo1A#"><NYT_HEADLINE type=" " version="1.0"> Stripping Away the Darkness as Murals Are Reborn </NYT_HEADLINE></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/07/27/arts/design/27rockefeller.html?_r=1&th=&adxnnl=1&emc=th&adxnnlx=1248699861-vSb52xcTGrP3DVT4Qtgo1A#"><div align="center"><img src="http://content7.clipmarks.com/blog_cache/www.nytimes.com/img/F0F0D186-835A-46F5-82E9-094866E39B6A" alt="" /></div></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/07/27/arts/design/27rockefeller.html?_r=1&th=&adxnnl=1&emc=th&adxnnlx=1248699861-vSb52xcTGrP3DVT4Qtgo1A#"><P>The lobby of 30 Rockefeller Plaza, that movie-set-perfect Art Deco interior, sees thousands of people every day. Most are passing through. But for the last nine months a team of six conservators has all but moved in and will be there for the next two years. Carefully concealed behind giant scrims, they spend hour after hour methodically removing decades of yellowed varnish from the building’s famed murals, one inch at a time. </P></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/07/27/arts/design/27rockefeller.html?_r=1&th=&adxnnl=1&emc=th&adxnnlx=1248699861-vSb52xcTGrP3DVT4Qtgo1A#"><div align="center"><img src="http://content8.clipmarks.com/blog_cache/www.nytimes.com/img/CD0C589D-0117-476F-AE55-6F5EF4515B1B" alt="Mural Makeover" /></div></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/07/27/arts/design/27rockefeller.html?_r=1&th=&adxnnl=1&emc=th&adxnnlx=1248699861-vSb52xcTGrP3DVT4Qtgo1A#"><P>When the murals in the north corridor of 30 Rockefeller’s lobby were finally cleaned, Jeffrey Greene, EverGreene’s president, had a eureka moment. “I realized the building was out of balance,” he said one recent steamy morning, standing on a second-floor balcony and staring directly into “Abolition of War,” a mural by the Spanish painter José María Sert that depicts a woman astride two cannons with a baby in her outstretched arms. </P></blockquote></div><div style="margin: 0px 6px 6px 4px;"><table style="font-size: 11px;border-spacing: 0px;padding: 0px;" cellpadding="0" cellspacing="0" width="100%"><tr><td style="background:transparent;border-width:0px;padding:0px;">&nbsp;</td><td align="right" style="background:transparent;border-width:0px;padding:0px;width:107px" width="107"><a href="http://clipmarks.com/share/F74CE489-8AD7-4E19-A2ED-ECF81E2E91EF/blog/" title="blog or email this clip"><img src="http://content9.clipmarks.com/images/c2b-foot.png" border="0" alt="blog it" width="107" height="17" style="border-width:0px;padding:0px;margin:0px;" /></a></td></tr></table></div></div>

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