<div style="margin: 12px 0px; font-family: arial; color: #333333; background: #ffffff; border: solid 4px #e5e5e5; width: 100%; clear: left;"><div class="CM_CTB_Content_Wrap" style="margin: 0px; padding: 0px;background-color: #ffffff;"><div style="border-bottom: solid 1px #dcdcdc; white-space: nowrap; margin-bottom: 8px; background-color: #eeeeee ;background-image: url(http://clipmarks.com/images/source-bg.gif); background-repeat: repeat-x; height: 24px; line-height: 24px; vertical-align: middle; padding-bottom: 4px; color: #666666; font-size: 10px;" ><a href="http://clipmarks.com/clip-to-blog/" title="see clips that are hot right now"><img src="http://content.clipmarks.com/blog_embed/f4a99715-d36b-455f-add9-c2b13f193220/EF859AE4-A0F5-43BD-8A3F-3772A3B69DD3/" alt="" width="19" height="19" border="0" style="vertical-align: middle; margin: 0px 4px; display: inline; border: none; float:none;" /></a>clipped from <a title="http://www.credenda.org/issues/18-2thema.php" href="http://www.credenda.org/issues/18-2thema.php" style="font-size: 11px;">www.credenda.org</a></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.credenda.org/issues/18-2thema.php"><P><B>Dark and Disruptive Grace</B> <BR />Still, something's odd about selling Flannery to Christians. Even when people know about her superior technique and Christian frames, they still usually choke after a story or two. Too rough. Too troubling. They're not hard to read, they'll admit, but still, there's all that weirdness and death. </P></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.credenda.org/issues/18-2thema.php"><DIV class="indent"><SPACER width="18" type="block"></SPACER> And that's what disturbs many readers. They don't want their grace black. It feels like an alien faith to them, and they resist it. O'Connor herself heard this complaint. In her essay "The Catholic Novelist in the Protestant South," she argued against that pietism typical of Christian readers: "The reader wants his grace warm and binding, not dark and disruptive." </DIV></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.credenda.org/issues/18-2thema.php">That sort of writing goes down easier because we don't really believe it. It feels like someone else's world. It's alien enough that we're not truly threatened. But O'Connor's world is too close. And if her picture of dark grace is right, then our typical take on life fails.</blockquote></div><div style="margin: 0px 6px 6px 4px;"><table style="font-size: 11px;border-spacing: 0px;padding: 0px;" cellpadding="0" cellspacing="0" width="100%"><tr><td style="background:transparent;border-width:0px;padding:0px;">&nbsp;</td><td align="right" style="background:transparent;border-width:0px;padding:0px;width:107px" width="107"><a href="http://clipmarks.com/share/EF859AE4-A0F5-43BD-8A3F-3772A3B69DD3/blog/" title="blog or email this clip"><img src="http://content6.clipmarks.com/images/c2b-foot.png" border="0" alt="blog it" width="107" height="17" style="border-width:0px;padding:0px;margin:0px;" /></a></td></tr></table></div></div>

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