From a Vault in Paris, Sounds of Opera 1907


	From a Vault in Paris, Sounds of Opera 1907

JediKnut

2-17-2009 2:15 AM

213 views

tags:

opera, classical music, classical, gramophone, record, music

JediKnut says:

I'd love to get my hands on some of that music!

Great article! Read the full thing at the source...

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<div style="margin: 12px 0px; font-family: arial; color: #333333; background: #ffffff; border: solid 4px #e5e5e5; width: 100%; clear: left;"><div class="CM_CTB_Content_Wrap" style="margin: 0px; padding: 0px;background-color: #ffffff;"><div style="border-bottom: solid 1px #dcdcdc; white-space: nowrap; margin-bottom: 8px; background-color: #eeeeee ;background-image: url(http://clipmarks.com/images/source-bg.gif); background-repeat: repeat-x; height: 24px; line-height: 24px; vertical-align: middle; padding-bottom: 4px; color: #666666; font-size: 10px;" ><a href="http://clipmarks.com/clip-to-blog/" title="see clips that are hot right now"><img src="http://content.clipmarks.com/blog_embed/ac0d9d9b-2c8f-4d8f-8fef-c5762a610b5a/ED3CADEA-A5D1-46F0-BE69-B3399740DA6F/" alt="" width="19" height="19" border="0" style="vertical-align: middle; margin: 0px 4px; display: inline; border: none; float:none;" /></a>clipped from <a title="http://www.nytimes.com/2009/02/17/arts/music/17vaul.html?_r=1&partner=rss&emc=rss#" href="http://www.nytimes.com/2009/02/17/arts/music/17vaul.html?_r=1&partner=rss&emc=rss#" style="font-size: 11px;">www.nytimes.com</a></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/02/17/arts/music/17vaul.html?_r=1&partner=rss&emc=rss#"><NYT_HEADLINE type=" " version="1.0">
From a Vault in Paris, Sounds of Opera <SPAN class="currency_converter_link" title="Convert this amount">1907</SPAN>
</NYT_HEADLINE></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/02/17/arts/music/17vaul.html?_r=1&partner=rss&emc=rss#">On Dec. 24, <SPAN class="currency_converter_link" title="Convert this amount">1907</SPAN>, a group of bewhiskered men gathered in the bowels of the Paris Opera to begin a project that by definition they could never see to fruition. First, <SPAN class="currency_converter_link" title="Convert this amount">24</SPAN> carefully wrapped wax records were placed inside two lead and iron containers. These were then sealed and locked in a small storage room with instructions that they should remain undisturbed for <SPAN class="currency_converter_link" title="Convert this amount">100</SPAN> years.</blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/02/17/arts/music/17vaul.html?_r=1&partner=rss&emc=rss#"><div align="center"><img src="http://content7.clipmarks.com/blog_cache/www.nytimes.com/img/33CD62C4-BCD2-4DAB-82E4-381FAE55069A" alt="" /></div></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/02/17/arts/music/17vaul.html?_r=1&partner=rss&emc=rss#"><P>Now the <SPAN class="currency_converter_link" title="Convert this amount">100</SPAN> years are up, and after lengthy examination, cleaning and digitizing of the records, EMI, the heir to the Gramophone Company, is reissuing them on three CDs. The collection will be released in France later this month as “Les Urnes de l’Opéra” and in the United States in early April with the English subtitle “Treasures From the Paris Opera Vaults.”</P></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/02/17/arts/music/17vaul.html?_r=1&partner=rss&emc=rss#">Along with these household names are French composers whose lasting popularity was perhaps less assured.</blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/02/17/arts/music/17vaul.html?_r=1&partner=rss&emc=rss#">The quality of the recordings themselves is much as might be expected.</blockquote></div><div style="margin: 0px 6px 6px 4px;"><table style="font-size: 11px;border-spacing: 0px;padding: 0px;" cellpadding="0" cellspacing="0" width="100%"><tr><td style="background:transparent;border-width:0px;padding:0px;">&nbsp;</td><td align="right" style="background:transparent;border-width:0px;padding:0px;width:107px" width="107"><a href="http://clipmarks.com/share/ED3CADEA-A5D1-46F0-BE69-B3399740DA6F/blog/" title="blog or email this clip"><img src="http://content8.clipmarks.com/images/c2b-foot.png" border="0" alt="blog it" width="107" height="17" style="border-width:0px;padding:0px;margin:0px;" /></a></td></tr></table></div></div>

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