<div style="margin: 12px 0px; font-family: arial; color: #333333; background: #ffffff; border: solid 4px #e5e5e5; width: 100%; clear: left;"><div class="CM_CTB_Content_Wrap" style="margin: 0px; padding: 0px;background-color: #ffffff;"><div style="border-bottom: solid 1px #dcdcdc; white-space: nowrap; margin-bottom: 8px; background-color: #eeeeee ;background-image: url(http://clipmarks.com/images/source-bg.gif); background-repeat: repeat-x; height: 24px; line-height: 24px; vertical-align: middle; padding-bottom: 4px; color: #666666; font-size: 10px;" ><a href="http://clipmarks.com/clip-to-blog/" title="see clips that are hot right now"><img src="http://content.clipmarks.com/blog_embed/431c903e-4018-4ff5-a448-6a87b7e48436/8CB55000-CF8A-4AF3-BB4A-FA819C10AC24/" alt="" width="19" height="19" border="0" style="vertical-align: middle; margin: 0px 4px; display: inline; border: none; float:none;" /></a>clipped from <a title="http://www.wired.com/culture/art/magazine/15-08/pl_arts" href="http://www.wired.com/culture/art/magazine/15-08/pl_arts" style="font-size: 11px;">www.wired.com</a></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.wired.com/culture/art/magazine/15-08/pl_arts"><div align="center"><img src="http://content8.clipmarks.com/blog_cache/www.wired.com/img/8E0B7669-E1B7-4EE7-A94D-3377844F8666" alt="" /></div></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.wired.com/culture/art/magazine/15-08/pl_arts">a new stained-glass window in Germany's Cologne Cathedral, to be completed in August, evokes technology and science, not religion and the divine. Contemporary German artist Gerhard Richter designed the 65-foot-tall work to replace the original, destroyed by bombs in World War II. As a starting point, he used his own 1974 painting <I>4096 Colors</I>. To create that piece — a 64-by-64 grid of squares — Richter devised a mathematical formula to systematically mix permutations of the three primary colors and gray. Funny coincidence: 4,096 is also the number of "Web-smart" colors that display consistently on older computer screens, a limitation some Web designers still take into account.</blockquote></div><div style="margin: 0px 6px 6px 4px;"><table style="font-size: 11px;border-spacing: 0px;padding: 0px;" cellpadding="0" cellspacing="0" width="100%"><tr><td style="background:transparent;border-width:0px;padding:0px;">&nbsp;</td><td align="right" style="background:transparent;border-width:0px;padding:0px;width:107px" width="107"><a href="http://clipmarks.com/share/8CB55000-CF8A-4AF3-BB4A-FA819C10AC24/blog/" title="blog or email this clip"><img src="http://content9.clipmarks.com/images/c2b-foot.png" border="0" alt="blog it" width="107" height="17" style="border-width:0px;padding:0px;margin:0px;" /></a></td></tr></table></div></div>

New from the makers of Clipmarks:  Amplify.com - Don't just share the news...Amplify it!