<div style="margin: 12px 0px; font-family: arial; color: #333333; background: #ffffff; border: solid 4px #e5e5e5; width: 100%; clear: left;"><div class="CM_CTB_Content_Wrap" style="margin: 0px; padding: 0px;background-color: #ffffff;"><div style="border-bottom: solid 1px #dcdcdc; white-space: nowrap; margin-bottom: 8px; background-color: #eeeeee ;background-image: url(http://clipmarks.com/images/source-bg.gif); background-repeat: repeat-x; height: 24px; line-height: 24px; vertical-align: middle; padding-bottom: 4px; color: #666666; font-size: 10px;" ><a href="http://clipmarks.com/clip-to-blog/" title="see clips that are hot right now"><img src="http://content.clipmarks.com/blog_embed/50402839-57b6-41a7-911f-8ddc760f1726/5A0B148C-6C24-40B9-AEBB-ECD5EDDFA88A/" alt="" width="19" height="19" border="0" style="vertical-align: middle; margin: 0px 4px; display: inline; border: none; float:none;" /></a>clipped from <a title="http://www.nytimes.com/2009/11/06/arts/design/06photography.html?ref=design#" href="http://www.nytimes.com/2009/11/06/arts/design/06photography.html?ref=design#" style="font-size: 11px;">www.nytimes.com</a></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/11/06/arts/design/06photography.html?ref=design#"><NYT_KICKER>Art Reviews | 'New Photography 2009,' 'Processed,' 'Surface Tension'</NYT_KICKER></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/11/06/arts/design/06photography.html?ref=design#"><NYT_HEADLINE type=" " version="1.0"> Into the Darkroom, With Pulleys, Jam and Snakes </NYT_HEADLINE></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/11/06/arts/design/06photography.html?ref=design#"><DIV class="byline">By KAREN ROSENBERG</DIV></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/11/06/arts/design/06photography.html?ref=design#"><DIV class="timestamp">Published: November 5, 2009 </DIV></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/11/06/arts/design/06photography.html?ref=design#"><div align="center"><img src="http://content9.clipmarks.com/blog_cache/www.nytimes.com/img/B22A96A2-ABAA-4A68-B97A-C952C589B4B1" alt="" /></div></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/11/06/arts/design/06photography.html?ref=design#"><DIV class="credit">Museum of Modern Art</DIV></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/11/06/arts/design/06photography.html?ref=design#"><P class="caption"> “Red Headed Woman” (2008), a color print by Daniel Gordon, on view in MoMA's “New Photography 2009” show. </P></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/11/06/arts/design/06photography.html?ref=design#"><P>What is certain is that you will emerge from these three shows feeling energized about the state of photography. Artists in the post-Gursky era aren’t feeling the need to scale up; instead they’re branching out.</P></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/11/06/arts/design/06photography.html?ref=design#"><P>“New Photography 2009” continues through Jan. 11 at the Museum of Modern Art; (212) 708-9400, moma.org. “Processed: Considering Recent Photographic Practice” continues through Dec. 12 at the Bertha and Karl Leubsdorf Art Gallery at Hunter College, 68th Street at Lexington Avenue; (212) 772-4991, hunter.cuny.edu. “Surface Tension: Contemporary Photographs From the Collection” continues through May 16 at the Metropolitan Museum of Art, (212) 535-7710, metmuseum.org.</P></blockquote></div><div style="margin: 0px 6px 6px 4px;"><table style="font-size: 11px;border-spacing: 0px;padding: 0px;" cellpadding="0" cellspacing="0" width="100%"><tr><td style="background:transparent;border-width:0px;padding:0px;">&nbsp;</td><td align="right" style="background:transparent;border-width:0px;padding:0px;width:107px" width="107"><a href="http://clipmarks.com/share/5A0B148C-6C24-40B9-AEBB-ECD5EDDFA88A/blog/" title="blog or email this clip"><img src="http://content8.clipmarks.com/images/c2b-foot.png" border="0" alt="blog it" width="107" height="17" style="border-width:0px;padding:0px;margin:0px;" /></a></td></tr></table></div></div>

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