Not only does the giant
crescent point to Mecca, but architect Paul Murdoch proves that this
orientation is intentional by repeating it in the crescents of trees
that surround the Tower of Voices part of the memorial. (Repeated
Mecca-orientations demonstrated in this animation). We hosted an open
design competition in time of war and literally invited the whole world
to enter. Of course we should have expected that the enemy would enter,
and try to win a memorial to their heroes instead of ours. Much harder
to understand is the willful blindness of those who are charged with
the memorialization of Flight 93, which is supposed to be the symbol of
our woken vigilance.

Every plac[b]...

Not only does the giant
crescent point to Mecca, but architect Paul Murdoch proves that this
orientation is intentional by repeating it in the crescents of trees
that surround the Tower of Voices part of the memorial. (Repeated
Mecca-orientations demonstrated in this animation). We hosted an open
design competition in time of war and literally invited the whole world
to enter. Of course we should have expected that the enemy would enter,
and try to win a memorial to their heroes instead of ours. Much harder
to understand is the willful blindness of those who are charged with
the memorialization of Flight 93, which is supposed to be the symbol of
our woken vigilance.

Every place where the terrorists are memorialized in the
crescent design, they are placed in the symbolic Islamic heavens (the
crescent and star parts of the design). Every place where the 40 heroes
are memorialized, they are depicted as symbolically damned, cast out of
the symbolic Islamic heavens. One example is in the Tower of Voices,
where an Islamic shaped crescent soars in the sky above forty symbolic
souls that literally dangle